The work of Franco Aguggiaro has been exibited extensively in galleries, museums and cultural venues around the world for over three decades:
| 1967 |
Padua, Italy - Galleria Pro Padova |
| 1968 |
Rome, Italy - Palazzo delle Esposizioni |
| 1969 |
Milan, Italy - Club Neroazzurro |
| 1970 |
Rimini, Italy - Grand Hotel |
| 1971 |
London, UK - Ansdell Gallery |
| 1972 |
Rome, Italy - La Barcaccia Gallery |
| 1974 |
Rome, Italy - Art Gallery do Brasil (Brasilian Embassy) |
| 1976 |
Stockholm, Sweden - Skandinavinska Banken |
| 1978 |
Rome, Italy - La Barcaccia Gallery |
| 1980 |
Fiuggi, Italy - Tuorist Office |
| 1982 |
Avezzano, Italy - Cultural Center |
| 1985 |
Latina, Italy - Galleria del Corso |
| 1986 |
Boca Raton, USA - Trevi Gallery |
| 1986 |
Rome, Italy - Russo Gallery |
| 1989 |
Assisi, Italy - Galleria Comunale |
| 1990 |
Rome, Italy - Galleria La Gradiva |
| 1994 |
Caprarola, Italy - Galleria Lunarte |
| 1995 |
Boca Raton, USA - Ralley Gallery |
| 1996 |
Fort Lauderdale, USA - Art Serve |
| 1997 |
Fort Lauderdale, USA - Cripps and San German Art Gallery |
| 1998 |
Fort Lauderdale, USA - Cripps and San German Art Gallery |
| 1999 |
Fort Lauderdale, USA - Museum of Art |
| 2000 |
Miami, USA - Italian General Consulate |
| 2001 |
Coral Gables, USA - Alexander Patrick Fine Art |
| 2002 |
Coral Gables, USA - City Hall |
| 2002 |
New York, USA - Italian General Consulate |
| 2003 |
Miami, USA - Italian General Consulate |
| 2005 |
Fort Lauderdale, USA - Art Fifteengallery |
| 2006 |
Stockholm, Sweden - Gallery Ateliè Bellange |
| 2006 |
Stockholm, Sweden - Italian Cultural Institute |
| 2006 |
Cremona, Italy - ArteImmagini Gallery |
| 2008 |
Padua, Italy - Galleria Samonà (Comune di Padova) |
" From the quiet landscapes and cityscapes to quaint harbors and colorful villages, Franco captures the realism of his subject. His still life reflects the diversity of interests, from intricate patterns of wicker and straw to the soft, supple folds of linenes amid simple and majestic objects. Realism is the goal, but is not the whole."